Until the End of the World | EW.com

Music

Until the End of the World Talk about clout: For the soundtrack of his latest film, German director Wim Wenders got everyone from U2 and R.E.M. to Depeche Mode and Elvis...Until the End of the WorldSoundtracks Talk about clout: For the soundtrack of his latest film, German director Wim Wenders got everyone from U2 and R.E.M. to Depeche Mode and Elvis...1992-01-24
B+

Until the End of the World

Genre: Soundtracks; Lead Performer: Various Artists; Producer (group): Warner Bros.

Talk about clout: For the soundtrack of his latest film, German director Wim Wenders got everyone from U2 and R.E.M. to Depeche Mode and Elvis Costello to contribute new or previously unreleased songs. The result in Until the End of the World could have been a stylistic jumble, but the artists seem to have taken the film’s downcast, vaguely apocalyptic atmosphere to heart. With a few exceptions (like ”Sax and Violins,” a loosey-goosey outtake from the defunct Talking Heads), the 19 songs are mostly spare, languorous, and somber, from Elvis Costello’s mournful version of the nostalgic Kinks ballad ”Days” to Nick Cave’s Transylvanian cabaret number ”(I’ll Love You) Till the End of the World” to Daniel Lanois’ bayou blues ”Sleeping in the Devil’s Bed.” Few of the songs are drastic departures from the artists’ usual styles, and even fewer are essential listening for fans — Neneh Cherry’s ”Move With Me (Dub),” for instance, is practically an instrumental, and R.E.M.’s ”Fretless” has all the elements of their best gothic ballads but misses being memorable. Nonetheless, the collection is much more cohesive than the typically disjointed pop-song soundtrack; the songs seem to wash into each other. When the album revs up for its penultimate track, U2’s throbbing ”Until the End of the World,” it’s as if you’ve awakened from a long, involving, and vivid dream. B+