Most of this Orson Welles lost masterpiece is a nearly hour-long reconstruction of the unfinished ”Four Men on a Raft,” an episode the director shot in Brazil for an ill-fated documentary. Prefaced on It’s All True by a half hour of interviews with participants who recall the project’s slide into disaster, ”Raft” — the chronicle of a daring voyage by a group of poverty-stricken seamen — is an impressive piece of work that’s beautifully conceived and photographed and often quite moving. It’s scarcely Welles’ most original concoction, overflowing as it is with echoes of F.W. Murnau’s Tabu and Eisenstein’s similarly doomed Que Viva Mexico. Since minor Welles is better than ”major” anything else, though, there’s not much to complain about here. A-
It's All TrueMost of this Orson Welles lost masterpiece is a nearly hour-long reconstruction of the unfinished ''Four Men on a Raft,'' an episode the director shot in ...It's All TrueDocumentaryGMost of this Orson Welles lost masterpiece is a nearly hour-long reconstruction of the unfinished ''Four Men on a Raft,'' an episode the director shot in ...1994-08-05
Genre: Documentary; Director: Orson Welles; MPAA Rating: G
Posted August 5 1994 — 12:00 AM EDT
- James Bay adds some tambourine to Rihanna, Kanye West's 'FourFiveSeconds'
- Bill Cosby accuser tells her story
- Kelela and Arca team up for the gorgeous future-R&B track 'A Message'
- Elizabeth Henstridge talks 'Agents of SHIELD'...while playing 'Mario Kart'
- Jon Stewart gives WWE foe the 'Daily Shoe'--below the belt
- Comedian Matt Braunger on pilot season, his new album 'Big Dumb Animal,' and the science of titles
- 'Agents of SHIELD' eyes Skye's arc: 'Birth of a superhero'