Lincoln Rhyme, the criminologist supercop played by Denzel Washington in The Bone Collector, lives in an apartment surrounded by high-tech forensic gadgetry. When the NYPD is stumped by a wave of mysterious homicides, a platoon of detectives sets up shop at his bedside so Rhyme can work his deductive magic. Because, for all his mental gifts, our hero is bedridden, a quadriplegic able to move only his head and his index finger.
The movie is very much the same: a gimmicky thriller propped up by genre conventions set in congealing industrial grime by The Silence of the Lambs and, especially, Seven. As in that film, it’s always raining a diseased, urban drizzle, and somewhere in a deserted steam tunnel, a crazed serial killer is offing victims in ways that seem more designed for baroque camera angles than to assuage any particular psychological kinks. So what do you get for your $3.50? A few horrific death tableaux, Angelina Jolie’s jolly pout as the street cop who becomes Lincoln’s eyes and ears on the outside, and a killer who, for all the fiendishly knotty clues he strews about, turns out to be a whiny little snit. Oh yes — and a performance from Washington that lacks body in every respect. C+
What we said then: ”a skeleton-thin thriller wrapped in glamorous production values…” B-