With Jay-Z’s recent retirement, the Roc-A-Fella dynasty seems to be crumbling – Memphis Bleek’s December release flopped, and Beanie Sigel is embroiled in legal troubles. Enter unlikely savior Kanye West, a 26-year-old MC with a clunky flow and an off-key warble that rivals Biz Markie’s tone-deaf crooning. West is better known as a producer than a rhymer – his beats for Jay-Z turned dusty soul grooves into slick modern funk – but his surprising debut disc, College Dropout, is the most impressive hip-hop CD of the young year. What’s his secret? For one: lush, intricate, and unabashedly pop productions that are alternately uplifting (”Jesus Walks”) and jiggle-inducing (”Workout Plan”). More important, the Chicago native shuns hip-hop’s tired ”Scarface” iconography for a broad topicality – family drama, everyday racism, crappy day jobs, and chasing tail all get equal time. This appreciation of life’s minutiae can go too far: The autobiographical ”Through the Wire” is hip-hop’s first, and hopefully last, song about a broken jaw. But West delivers the goods with a disarming mix of confessional honesty and sarcastic humor, earnest idealism and big-pimping materialism. In a scene still dominated by authenticity battles and gangsta posturing, he’s a middle-class, politically conscious, post-thug, bourgeois rapper – and that’s nothing to be ashamed of.
(Kanye West: Berry Behrendt/Retna)
Genre: Hip-Hop/Rap; Lead Performer: Kanye West; Guest Performer: Jamie Foxx, Jay-Z, Mos Def; Producer (person): Kanye West
Posted February 13 2004 — 12:00 AM EST
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