If you’ve already put on your finest camp gear and nonprescription black-framed eyeglasses, then you’re well aware that Wes Anderson’s Moonrise Kingdom — the director’s first live-action movie in five years — opens today. And you know what that means: a new Wes Anderson soundtrack!
By now, the filmmaker’s soundtracks have become more or less their own genre. Anderson is clearly a man of cultured (and very specific) tastes, and his curatorial chops shine on his soundtracks as brightly as they do in his obsessively detailed movies. The trailer for his latest, for instance, has Francois Hardy’s classic “Le Temps de l’Amour” basically woven into its DNA.
Yet the soundtrack to Kingdom, his seventh feature-length film, is the most unlike his previous ones. Anderson’s movies are usually supported by a mix of vinyl-era rock greats and British Invasion hipsters (think David Bowie, Love, the Rolling Stones, and especially the Kinks, which he originally wanted to be the only band soundtracking Rushmore) as well as Newport Folk Festival friendlies (such as Bob Dylan and Joan Baez), plus original compositions from Devo vet Mark Mothersbaugh. This time around, though, the music comes largely from composer Alexandre Desplat; after him, Hank Williams is the dominant force, with three songs.
Of course, a lot of this probably has to do with the movie being set in 1965, before most of his favorite go-tos were hitting their stride. But that doesn’t mean we’re any less excited — if anything, we’re all the more intrigued.
To get further amped for Anderson’s latest entry, we’ve combed through sixteen years of his soundtracks — from 1996’s Bottle Rocket to today’s Moonrise Kingdom — and put together our ultimate Wes Anderson playlist. Give it a spin below and let us know if you agree with our selections:[spotify id="spotify%3Auser%3Aew.com%3Aplaylist%3A5bmrauLL0O4GgfitoJJvgA%26amp%3Btheme%3Dwhite" /]
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