Feedback: December 6, 2013 |


Feedback: December 6, 2013

Your reactions to the new ''Fifty Shades of Grey'' movie, concerns over the ''Flowers in the Attic'' remake, and more

Grey, With a Splash of Color
I read E L James’ books out of curiosity and, quite frankly, found them boring. But Frank Ockenfels’ photos of Fifty Shades of Grey’s Dakota Johnson and Jamie Dornan were so phenomenal, they almost got me interested in the movie!
Áine Humble
Halifax, Nova Scotia

Design Within Reach
I am hoping to get into production or costume design after graduation next year, but I was feeling a bit discouraged as of late. Your Hollywood Design Report reminded me why I chose to pursue a creative career in the first place. Thanks for keeping the dream alive!
Lauren Hashima
Los Angeles

Will Attic Remain Musty?
A long time ago I was one of those girls who read Flowers in the Attic. I got so excited when I heard about the original movie. Then I saw it, and it was an abomination. To learn that Lifetime is coming out with its own version (News and Notes) makes my heart flutter just a little bit. It’s been decades since I read the book, but I will definitely be tuning in to see how they treat the story. It can’t get any worse than the 1987 flick, right?
Kristine Reardon
Goodyear, Ariz.

Giving Credit Where It’s Due
I couldn’t agree more with Dalton Ross’ take on the suckage of ”secret” movie scenes (The Glutton); however, one film in recent years knew how to do it right: Napoleon Dynamite. No one should miss Kip singing his hilarious self-penned wedding song to his new bride, LaFawnduh, or Napoleon’s limp-bodied gallop over the hill on the newlyweds’ “honeymoon stallion.” It’s one scene I will happily wait for through a long list of best boys and gaffers.
Rene’ H. Thurston
North Hollywood

I consider staying through a film’s credits a time to return from a celluloid world to reality, to process what I’ve seen and form opinions. But some of us stick around as a sign of respect for all the people who gave up weeks or months of their lives to make us laugh or cry for an hour and a half.
Heidi Hornbacher
Los Angeles

From Atrocity Comes Art
Anthony Breznican’s question “Is 12 Years the New Brokeback?” (News and Notes) filled me with dread. Part of the beauty of 12 Years a Slave is the tone — it is matter-of-fact, as befits a retelling of someone’s life story. Here is a movie where the slaves have vivid personal narratives that bring them to life. It captures what happened, in brutal and beautiful living color. The slaves who built this country deserve, at the very least, the tears of Academy members.
Tania Jackson
Washington, D.C.