Jamiroquai doesn't rap, but the British hat act otherwise known as Jay Kay has made a career out of appropriating African-American pop, particularly that of Stevie Wonder. On Synkronized, Jamiroquai's fourth album, Kay's retro jones blazes on, albeit with a new twist: Imagine if Wonder had made a disco album in 1977! With producer Al Stone, he's concocted an eerily perfect homage to that era, setting his songs to the swooping strings, wah-wah guitars, and boogie-wonderland beats of the Studio 54 era. ''Got canned heat in my heels tonight!'' Kay exults in ''Canned Heat,'' while the murkier ''Black Capricorn Day'' conjures the what's-your-sign vogue of the '70s.
There's no denying the craft with which Synkronized was made, and Jamiroquai is smart enough to toss in a few curveballs, like a Latin-hustle break in ''Planet Home,'' a ''Riders in the Storm'' piano in the instrumental ''Destitute Illusion,'' and trendy turntable scratching in ''Supersonic,'' which is passable coffee-table techno-funk. Still, the album's re-creations of pop past are as absurdly pointless as they sound. Synkronized is a hat trick done with the sharpest chapeau in the store, but it's a trick all the same.
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