Easily as raw as Eddie Murphy's old routines, but hardly half as delirious, The Original Kings of Comedy -- Spike Lee's crossover hit of a stand up concert film -- is profane but not provocative. Its stars each work the same terrain: gags (gentle and gratingly lame) about race, and coarse bits about sex, parenting, and poverty. Sometimes these are resonant low down blues; sometimes they're just low -- bordering on the crudeness that Lee decried as minstrelsy last year in ''Bamboozled.''


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