Class Actors
I was thrilled to see Johnny Depp and Kate Winslet on the cover of your
magazine. In my opinion, they're the two most talented actors in
Hollywood who don't have any Oscars to show for it. Hopefully, that will
change this year! Thank you so much for giving these two wonderful
people the recognition they deserve.
SHANNON STEPANEK
Naperville, Ill.
Ad Verses
Before complaining about commercials at the movie theater (''Ad Nauseam,''
News & Notes), EW might want to ask why they're being shown in the first
place. The problem isn't with the theaters, it's with the studios.
Because studios take a large cut, theaters no longer make a profit on
ticket sales alone. To stay in business, theaters have had to resort to
packing their lobbies with quarter-sucking videogames, gouging us at the
concession stands, and now making us sit through soft-drink ads.
Besides, with rampant product placement, the moviegoing experience is
hardly the pure, magical transport it might once have been. I'd rather
sit through a 30-second Nike spot before a quality movie than a two-hour
FedEx commercial (cough...Cast Away) dressed up as a movie.
JOHN McCARTHY
Minneapolis
I have two additions to your ''6 Ways to Survive Cinema Advertising''
list: (1) When an ad begins playing, stand up and turn your back to the
ad in silent protest, and (2) patronize only those theaters (like the
ArcLight in Hollywood) that don't play ads at all. Sure, they charge $2
more per ticket, but that's a small price to pay in the effort to avoid
the onslaught of advertising.
CHRISTOPHER DYE
San Diego
For the Record
Regarding David Browne's ''Who Needs Albums?'' (News & Notes), the album
as sustained art form lives on in the work of current recording artists
such as Secret Machines, Bright Eyes, Steve Earle, Roger Clyne, Fiona
Apple, and Nellie McKay, among others. Bad albums with good songs have
always existed. What has changed is technology. As consumers gain
control over how they ingest entertainment, they can prune the bad from
the good. Were people in our recent past really spinning entire albums
because there were so many more of them, or because it was too much damn
trouble to set the needle down in the right spot on a Boston record?
MATTHEW MORSE
morsematthew@hotmail.com
New York City
Sign, Please
I had to write and let you know that I was so excited to see your
referral to Signing Time! in your Jan. 14 issue (News & Notes). I just
ordered the entire set of the Signing Time! DVDs and my kids absolutely
love them. Rachel de Azevedo Coleman, her daughter Leah, and her nephew
Alex have done such a wonderful job. My kids (I have hard-of-hearing as
well as hearing) started picking up the signs the first time they
watched the DVDs. I can only hope that word continues to spread and
everybody gets these videos. I can't say enough positive things about
them.
SHELI R. WILSON
wolflover@dslextreme.com
Colton, Calif.
Voicing Dissent


Add your comment
The rules: Keep it clean, and stay on the subject or we might delete your comment. If you see inappropriate language, e-mail us. An asterisk * indicates a required field.