Starry cameos are generally the province of rap records, so it's intriguing when a left-field artist like this avant-pop singer lassos boldfaced names like Lou Reed and Rufus Wainwright. Actually, the baroque Wainwright is a natural for Bird, a strings-garnished plunge into the depths of heart-break (and gender-bending). It could have been mawkish, but the sentiments on I Am a Bird Now and Antony's trembling falsetto are so honest, you love it despite your jaded self. Hey, if it's good enough for leathery Lou (who supplies a subdued spoken-word intro to the hornsaplenty soul number ''Fistful of Love''), who are we to argue?


Add your comment
The rules: Keep it clean, and stay on the subject or we might delete your comment. If you see inappropriate language, e-mail us. An asterisk * indicates a required field.