Credits
As several standouts in The Doris Day Collection make abundantly clear, there's more to the perky
star's canon than Pillow Talk and ''Que Sera, Sera.'' The Pajama Game, in
which Day is a spunky factory gal sparring with John Raitt's shop
foreman, is one of the more inventive '50s musicals. (Don't miss the Bob
Fosse-choreographed ''Steam Heat.'') She's dizzyingly kinetic (and funny)
as Calamity Jane's tomboy cowgirl, and quietly touching in Young Man
With a Horn as a singer pining for Kirk Douglas' tortured trumpeter. And
in the Ruth Etting biopic, Love Me or Leave Me, she convincingly plays
against type, though the performance is often undermined by director
Charles Vidor's stiff staging. The clunkers? Lullaby of Broadway is
noteworthy only for Day's vocals and terrific dancing, while the mostly
mediocre Billy Rose's Jumbo, Please Don't Eat the Daisies, and The Glass
Bottom Boat are strictly for fanatics.
Pajama: A-
Calamity: B+
Young Man: B+
Love Me: B
Lullaby: C+(but Day gets an A)





