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Much of Orson Welles' last completed film, the head-spinning documentary ''film essay'' F for Fake, feels as ahead of its time as did his debut, Citizen Kane. Blasting off with interview footage of art forger Elmyr de Hory and his con-man biographer Clifford Irving (who later, amazingly, forged Howard Hughes' autobiography), Welles splices together a nonlinear meditation on fraud with a jump-cut, call-and-response style that predates MTV and other imitators. Fake is madcap and confusing, even maddening, but unforgettable, too particularly the magnificent sequence about the French cathedral Chartres, and whenever Welles himself stomps around in a black hat and magician's cape. EXTRAS Before the movie, watch the 60 Minutes II interview from 2000 with Irving, a fascinating rascal, and the straight doc on Elmyr. Don't watch the 90-minute doc on Welles' unfinished projects till after: It spoils a key Fake surprise.
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You Might Also Like
- Video Review F For Fake | Michael Sauter
- DVD News Video (Sep 25, 2001) | Ty Burr
- DVD Commentary Essential DVDs of the 1940s (Feb 15, 2000)
- 5 Reasons to Live Rob Corddry is a winning loser on his new sitcom | Ken Tucker
- Movie News The film that broke Orson Welles' heart | Chris Nashawaty
- Movie News Overlooked

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