Whatever the fate of Were-Rabbit in theaters, Park says he can't think sequels right now. While he plans to take a yearlong break, Aardman will try its hand at CG with next fall's Flushed Away, an attempt to replicate the stop-motion look on computers. (Why CG? Because the story, about a penthouse rat whisked down to life in a sewer, involves lots of water — too hard to do with physical models.) Will Park also abandon clay for computers? No way. ''As much as I love CG, it's kind of working on our side that [Claymation] is seen as something different, an alternative,'' he says. ''Which is quite nice.''
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