Axis' cover art, pink rosebuds and black-eyed skeletons, gets at Vancouver singer-songwriter Stephen McBean's duality just right. The CD's bookends ''Comas'' and ''How We Can Get Free'' are haunting country-psych ballads; ''New Drugs'' and ''Lord Let Us Shine'' go for the fuzzy floor stomping of early Beck. He's a man taken with strange angles; Evol is just love spelled backward. B

