No child is left behind in inner-city Baltimore. The students of Edward J. Tilghman Middle School are, in fact, being snapped up quite greedily. Teachers tuck a few under their insubstantial wings; sensible mentors claim a couple more. Drug dealers swipe the rest: Merciless kingpin Marlo Stanfield (Jamie Hector) has become very involved in the neighborhood.
Season 4 of HBO's The Wire the best series on TV, period is brutal and brilliant. Politicians and dealers and police still feature but this year is all about the kids, trailing four middle schoolers trapped in an unworkable system. Drugs, business, prison, politics, public education on The Wire they're all venal and often interchangeable. While politicians trumpet a ''new day'' in Baltimore, the drug dealers of the city meet under a co-op of the same name.
The series' centerpiece character the boozing, rebellious Officer Jimmy McNulty (Dominic West) is barely present; he's sidelined himself now that he's a reformed family man. It's a striking testament to The Wire's writers who include crime novelists George Pelecanos, Dennis Lehane, and Richard Price that McNulty's absence hardly registers. Hapless former cop Pryzbylewski, a.k.a. Prez (Jim True-Frost), has shot to the forefront instead, landing as a teacher at Tilghman. That Prez is teaching math in a system that massages test scores until the numbers are meaningless is another of The Wire's mirthless jokes; that producer Ed Burns is a former Baltimore cop and inner-city teacher explains the veracity of these bumptious scenes. Besides Prez, there are a few dozen others to catch up with after a nearly two-year hiatus, characters who pull you in by your neck scruff. Fans will find themselves yelping at the faces that surface throughout the first four episodes Omar! Bunk! Bubs! Bunny! as if it were the most pleasant of reunions. Newcomers, to be honest, should start with season 1 to appreciate this echo-filled series and to understand The Wire's twitchiest character arc, that of mayoral candidate Tommy Carcetti (Aidan Gillen), as he flits between RFK earnestness and bottom-line pragmatism.
Ultimately, however, it's the quartet of young friends particularly scrappy, genial Randy (Maestro Harrell) and spoiled drug scion Namond (Julito McCullum) who give The Wire a new gravity. Here we see for the first time a glimmer of possibility, the very definition of ''what if.'' The outlook is grim: Even the boxing gym where the guys find refuge displays a poster of a local champ who became a doomed gangster. Watching these kids fall into their fates through cruelty, complacency, or bursts of kindness is transfixing. Maybe even transformative.
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