In 1828, mathematician Carl Freidrich Gauss went to a conference in Berlin, as a guest of Alexander von Humboldt, naturalist and explorer. It is from this meeting the two shared only their status as Enlightenment icons and an obsessive need to find order in chaos that Daniel Kehlmann spins his elegant comic novel Measuring the World. Eschewing the oppressive morality that defines modern German literature (see: Grass, Gunther and Böll, Heinrich), the 31-year-old author forges a sly prose style shaped by the fire of human nature and the anvil of logic: It's magic realism honed to a distinctly Teutonic level of precision.

