Expanded from an Oscar-nominated short about a lovelorn artist who freezes time (and paints oh-so-respectful nudes of unwitting women), Cashbackaspires to be equal parts Volkswagen ad and Nicholson Baker's The Fermata, yet compares unfavorably to both. Director Sean Ellis has a lovely eye, but he's set the film in his blind spot. Not only can't he distinguish between art and porn, savoring and wallowing, universal truths and exhausted clichés he doesn't even seem interested in these distinctions. D

