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Stephen Gallagher's Gothic tale of Victorian villainy entangles three key figures: boxer/impresario Tom Sayers; Louise Porter, the actress he loves; and the mysterious murderer who frames Tom and seduces Louise, tainting her with a curse that compels its bearer to do evil. (Louise finesses her dilemma by becoming a dominatrix, inflicting pain from London to New Orleans.) The Kingdom of Bones' Gilded Age period detail includes some melodramatic prose ''into that devil's hands I've delivered Louise!'' and dodgy occult lore. But Gallagher (The Spirit Box) includes gripping set-pieces bare-knuckle bouts, exquisite kink to produce an affecting study of sado-masochistic desire. B
Posted Oct 01, 2007
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