PAUL THOMAS ANDERSON: By the same token, I just really wanted to do really right by Jonny, too, wanting to try to protect all these pieces that he made, and find the right use for them. There were some times where I was concerned with it a little too much, because there were so many things that were so wonderful, but just couldn't fit in the film. I was probably more despondent about it than he was.
JONNY GREENWOOD: It did feel like a lot of early drafts had too much music in them. But just being in a room full of string players, when they start up, whether it's an 80-piece orchestra or string quartet, is the most addictive sound.
ANDERSON: Just speaking for myself, it is such an intimidating set of circumstances to walk in and see 80 string players sitting there. I mean, I spent the better part of the first day, while incredibly excited, just completely terrified and paranoid. I went over to the corner and felt very out of place. But once I warmed up to it, God, it was thrilling. They were all so generous, too, and very inviting, and once you got to that place where you could actually stand down on the floor and feel not like an imposter but like a cheerleader or supporter and could actually ask for something, it felt great.
ENTERTAINMENT WEEKLY: Jonny, now that the Radiohead album In Rainbows has gotten out there for people to download and hear, how do you feel the release of the album went? Do you feel like you did the right thing, putting it out that way?
GREENWOOD: Yeah, I'm just glad that everyone's hearing it at the same time because that was the point, really.
With all this talk about the radical distribution model for the new Radiohead album, Paul, I wondered if what they did might have inspired you to think that maybe you should just put your new movie up on the web and let people pay whatever they want for it... I'm joking. I think.
ANDERSON: God, I mean, it's every person's dream, I suppose, to have ownership. Unfortunately, to make a film this size, it would be impossible to finance myself. I'd have to come up with something that I could do on a smaller scale so that I could do that. Because you don't get pride of ownership when you make a film. You get pride of authorship. And you get paid for it that's the switch-off. But movies aren't far behind [music] in falling apart I mean, the business itself. One of the films that I have the fondest memory of seeing is Gallipoli, because I knew absolutely nothing about it. My brother said, ''Let's go see this movie.'' And I said, ''What's it about?'' He said, ''I'm not going to tell you.'' And I hadn't seen the poster, I hadn't seen a trailer or anything, and it was such an amazing experience. [Talking about the Radiohead release] just made me think of it. To be able to just kind of get something as close to the bone as possible, without too much intrusion...
GREENWOOD: I'm a great one for reading movie reviews in, like, one second, and you think Oh, that's gonna be worth seeing. I don't know, it's like looking at the end of a book before you read it. It's best avoided, really, so you've got no idea what's coming.