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When Southland Tales, Richard Kelly's apocalyptic futureshock age-of-terror satire, played at the 2006 Cannes Film Festival, it received such an unholy critical drubbing that the bad reviews actually made me want to see it. (So did the egghead minority who hailed it as a masterpiece.) The movie, which begins with a nuclear attack on Abilene, TX, is set in a rancid, paranoid-crackdown America where porn, news, reality TV, and music videos have merged into an omnipresent media glob; where the Internet has become a fascist tool of corporate/government control; and where the Venice Beach party culture remains big laugh! more or less the same. Familiar stars keep popping up in bizarro-world roles, like Jon Lovitz as a brutal cop, Seann William Scott as a man who may be the Messiah, and Dwayne Johnson as an amnesiac who twiddles his fingers with anxiety. It sounds like the brainiac Idiocracy, and pretty much is, except that Kelly, in his first feature since Donnie Darko, is also working in the visionary scorched-earth mode of William Burroughs, Don DeLillo, and Infinite Jest. Southland Tales has a mood unlike anything I've seen: dread that morphs into kitsch and then back again. It's a film that tried my patience, and one I couldn't shake off. B-
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- DVD Review Southland Tales (Mar 18, 2008) | Youyoung Lee
- Movie Review The Air I Breathe (Jan 25, 2008) | Lisa Schwarzbaum
- Movie News The Rock goes family-friendly (Sep 28, 2007) | Nicole Sperling
- Movie News Making ''Southland Tales'' | Jeff Jensen
- Movie News Cult film getting second lease on box-office life (Oct 26, 2001) | Karen Valby, Gillian Flynn
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You Might Also Like
- DVD Review Southland Tales (Mar 18, 2008) | Youyoung Lee
- Movie Review The Air I Breathe (Jan 25, 2008) | Lisa Schwarzbaum
- Movie News The Rock goes family-friendly (Sep 28, 2007) | Nicole Sperling
- Movie News Making ''Southland Tales'' | Jeff Jensen
- Movie News Cult film getting second lease on box-office life (Oct 26, 2001) | Karen Valby, Gillian Flynn
- Cover Story Dwayne Johnson gets 'Smart' | Christine Spines


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