Freyda Thomas' adaptation of the 17th-century Moliere play set here among Southern televangelists as Tartuffe: Born Again is one of those audacious theatrical conceits, like putting Shakespeare on skateboards or Chekhov on ice. While a certain pointlessness defeats the evening, there are rewards, like the game cast (particularly John Glover) and the raw nerve. (TC) B


Add your comment
The rules: Keep it clean, and stay on the subject or we might delete your comment. If you see inappropriate language, e-mail us. An asterisk * indicates a required field.