Gimmicks, gimmicks. This summer, Tim Dog cause a stir (and eventually shot to the top of the Billboard rap-singles chart) with a little ditty called ''F--- Compton,'' his diatribe against L.A. gangsta rappers N.W.A. (Compton, of course, is the gang-ridden city near Los Angeles that N.W.A. comes from.) A vicious but humorous single with a commanding beat lightly punctuated with a touch of trembling treble, it gave New York exactly what the beleaguered cradle hip-hop needed: a reassertion of its resolve in the face of a slew of upstart (and wildly successful) California artists. But enough is enough: Too much of Penicillin on Wax chases N.W.A. around, nipping at the group’s heels on the album intro Dog takes one of N.W.A.’s signature beats and claims. ''I…made it better.'' He didn’t. His voice, deep and ominous, has its attention-grabbing moments, but those moments are few and far between, and perhaps more fatal the beats hold no surprises. Yes, ''dissing'' is a proud rap tradition, but such one-note obsession gets pretty boring. Move on, Tim Dog, move on. C+


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