Edmund White labors for deep emotional effect in The Married Man, the tragic semiautobiographical story of a gay romance between Austin, an HIV-positive American living in Paris, and Julien, a married French architect but doesn't quite pull it off. Though he portrays both desire and death with disarmingly casual force, his privileged protagonist a self-employed cultural journalist who drops famous names and French phrases like loose change and his pretentious circle of equally well-to-do bohemians are hard to like, no matter how devastating their problems. C+


Add your comment
The rules: Keep it clean, and stay on the subject or we might delete your comment. If you see inappropriate language, e-mail us. An asterisk * indicates a required field.