In a futureworld in which ''actoids'' have replaced flesh-and-blood actors in soap opera roles they're easier to control, they don't talk back, and so on an aspiring writer (Spin City's Alexander Chaplin) falls in love with a comely robot actress (Janie Dee) who begins to develop a human personality, so they run away together and wait a minute, don't we go to the theater precisely to get away from bad high-concept-'80s-comedy nonsense like this? Veteran British playwright Alan Ayckbourn's fiftysomethingth work Comic Potential is unevenly paced and played at the frantic pitch of an old sitcom; in the end it's unsustainably silly, but the expert, resourceful comic performance by Dee who won an armload of acting prizes for the role in London soars miles above the material. B-


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