In Voyage in Italy, Roberto Rossellini's demanding study of alienation, George Sanders and Ingrid Bergman are a rich, jaded, bitter couple who, out of sheer ennui, decide to end their marriage. For a while the film seems to be a victim of its own subject — boredom — but telling details keep subtly piling atop one another until an emotionally devastating conclusion amid the ruins of Pompeii. A-
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