THE OUTSIDERS (1983)
Francis Ford Coppola's classic is Swayze's second film, but it's the
first one he cared to acknowledge (sorry, 1979's Skatetown USA). Playing
the older brother of Rob Lowe and C. Thomas Howell, he stood out as a
man among boys. And the last greaser you'd want to meet in a rumble.
RED DAWN (1984)
Again he's the protector, this time of teens fleeing Soviet and Cuban
forces at the start of World War III. One part of the film that still
holds up: Swayze carrying his brother (Charlie Sheen) to the playground.
''I'll hold you as long as I can, Matt. I'll hold you as long as I can.''
NORTH AND SOUTH (1985)
As a Southern gentleman who enters West Point on the eve of the Civil
War, Swayze began to show in this ABC miniseries that he could be both a
fighter and a lover. ''I'm a freak for period pieces,'' he once told EW.
''Just give me capes, horses, cleavage, and romance, and I'm a happy man.''
DIRTY DANCING (1987)
Playing to his strengths as the much-sought-after dance instructor
Johnny Castle, Swayze earned the first of three Golden Globe
nominations, as well as generations of loyal and touchy-feely female
fans. ''I've still got 18-year-old girls hugging me,'' he told PEOPLE in
2007. ''And I constantly have some old lady pinching me on the rear.''
ROAD HOUSE (1989)
Perhaps Dalton, the Double Deuce bouncer with a degree in philosophy who
spouts directives like ''I want you to be nice, until it's time to not be
nice,'' wasn't fully appreciated 20 years ago, but just try not to get
sucked in to it on cable today. Or on Sept. 19, when Spike airs the film
(for the 21st time since 2005) with a special tribute to the actor.
GHOST (1990)
It takes a lot of heart and apparently a pottery wheel for a man to make
a woman believe that he loves her when he won't say those three little
words, only ''ditto.'' Swayze had that heart. His Golden Globe-nominated
turn as Sam, the murdered lover who won't cross over, helped earn the
film a Best Picture Oscar nod and more than $500 million at the
worldwide box office. It also cemented ''Unchained Melody'' as one of the
most romantic ballads of all time.
SATURDAY NIGHT LIVE (1990)
Swayze hosted SNL only once, in October 1990, when he and his amazing
physique and mane dueled with Chris Farley for a spot in the
Chippendales family. Their shirtless dance-off to Loverboy's ''Working
for the Weekend'' bears the wicked sense of humor Swayze's costars often
spoke of, but audiences rarely saw.
POINT BREAK (1991)
He'd been asked to play Keanu Reeves' role, as an undercover FBI agent
trying to nab surfers who fund their hobby by robbing banks. But Swayze
knew better he took the role of the philosophizing bad guy instead.
''Bodhi was the perfect character for me,'' he told EW. ''He's
aesthetically in love with challenge and the spiritual side of pushing
to the limit. I've always been that sort of person.''
TO WONG FOO, THANKS FOR EVERYTHING, JULIE NEWMAR (1995)
PEOPLE's Sexiest Man Alive of 1991 made quite the beautiful drag queen.
His Vida Boheme, the sage who teaches acceptance to a Midwestern town,
is part Rosalind Russell and part Audrey Hepburn. ''I don't have anything
to prove,'' he told EW. ''I'm as heterosexual as a bull moose. That's what
made me so comfortable as Vida.''
DONNIE DARKO (2001)
Now decades into his career, Swayze found a cure for boredom. ''Take a
calculated risk,'' he told EW. ''Try something that absolutely shouldn't
work, and make it work.'' Playing a self-help guru and closeted pedophile
in this cult classic certainly qualified.
ONE LAST DANCE (2005)
Shot in 2001 and released on DVD in 2005, this labor of love costarred
Swayze and his wife, Lisa Niemi, as dancers who reunite to save their
former company. Fast-forward to their pas de deux they never looked
closer.
THE BEAST (2009)
Swayze knew his role on the A&E series might be his last. And it had the
weight and purpose he'd been searching for his entire career. ''I don't
think he's ever been this intense,'' exec producer John Romano told EW
last winter. ''He just burns.''


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