The Idol runner-up's
elevate this tepid collection.
The moody visuals of ''Keep
Drivin' '' fit the breathier parts
of her range well, but too many
tracks are victims of oversinging:
Katharine McPhee is aiming for ''quirky'' with Unbroken but landing in ''musical-theater
ingenue aiming for quirky''
instead. Worse, what is potentially
the most interesting song
here (''Last Letter'') is hollered
almost entirely off pitch. Uh,