If you've ever sniffed out sociopolitical subtexts in Dr. Seuss books Yertle the Turtle as a parable about fascism, Horton Hatches the Egg as a defense of surrogate mothers, The Sneetchesas an allegory of racism you won't be surprised that Seuss drew political cartoons for New York City's progressive daily newspaper PM during World War II. In Dr. Seuss Goes to War, U. Mass.-Amherst history professor Richard Minear archives Seuss' political work, which features his signature birds, turtles, and moose, along with a toothless-looking Hitler and, incongruously, appallingly caricatured Japanese-Americans. This is scathing, fascinating stuff, and with Minear's commentary, it provides a provocative history of wartime politics. A


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