Credits
C-
Robert Draper strives to transcend the crime genre in this tale of homicide, guilt, and redemption in a corrupt Texas prison town. But he can't overcome his cliched plot in Hadrian's Walls: Boyhood friends from opposite sides of the tracks share a homicidal past and a love for the same soulless rich girl. Contrived and slack where it should be wrenching and taut, Draper's affected prose dissipates the initially promising voice of his ex-con narrator. A frustrating read that, despite its violent redneck milieu, doesn't pack a wallop. C-
Posted Apr 30, 1999
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