Decades before Ricky Martin realized his crossover dreams, Cuban jazz/soul percussionist Santamaria had a top 10 hit with the unforgettable 1963 instrumental ''Watermelon Man.'' That ace tune is one of the many delights on this overdue two-CD set, which contains enough fodder for a thesis hell, a book on the amazing variety of cross-pollinated musical styles (Latin, jazz, funk, R&B, fusion) this man juggled. But leave that stuff to academics and ethnomusicologists. Trust me: Even if you can't differentiate between salsa and merengue, mambo or samba, you'll dig Santamaria's timeless jams in Skin on Skin: The Mongo Santamaria Anthology. They're the aural equivalent of blazingly spicy salsa picante. A


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