Director Scott Hicks (Shine) reduces David Guterson's visceral, meditative novel Snow Falling on Cedars to a
courtroom homily about Japanese-American relations in Puget
Sound circa 1950, flinging in dizzy intercuts that bring to mind
an out-of-focus music video. As a lovelorn reporter, Hamlet du
jour Hawke tries once again to corner the market on melancholy,
but with the camera trained obsessively on his forehead for most
of the movie, a solid performance is simply not to be. B-
Originally posted Jun 02, 2000Published in issue #543 Jun 02, 2000Order article reprints
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