Tinseltown has experienced its share of labor pains. Here are seven job actions birthed by showbiz.
DECEMBER 1952-FEBRUARY 1953
The Gripe: SAG prez, Mrs. Miniver's Walter Pidgeon, leads walkout over filmed TV ads.
The Goods: New
contract grants residuals for reruns of commercials.
The Big Picture: Move over, Detroit: SAG's first strike shows Hollywood is
newest big union town.
MARCH-APRIL 1960
The Gripe: Actors, led by SAG prexy Ronald
Reagan, walk over movie residual payments.
The Goods: Settlement
creates pension and welfare plans.
The Big Picture: As U.S. prexy,
Reagan would switch to union busting.
JULY-OCTOBER 1980
The Gripe: SAG and AFTRA seek, among other
things, residuals from home video.
The Goods: Hollywood Bowl
concert hosted by Lily Tomlin raises $500,000 for members;
agreement for greater payments is reached.
The Big Picture: Burt
Lancaster pickets in SAG's longest walkout until now.
APRIL-JULY 1981
The Gripe: WGA strikes over pieces of home-video
and pay-TV pies.
The Goods: Writers get a healthy raise in minimum
salaries and residuals from pay programming.
The Big Picture: Fall
TV season is delayed for some programs.
JUNE-JULY 1987
The Gripe: SAG strikes over wages and workload for
cartoon gigs.
The Goods: Voice actors' fees increase and recording
sessions are shortened.
The Big Picture: Potential windfall for
June Foray.
JULY 1987The Gripe: DGA goes on its first industry-wide strike to
preserve TV and movie residuals.
The Goods: New contracts maintain
these payments.
The Big Picture: Yawn! Three-hour walkout lasts
about as long as the standard Hollywood lunch.
MARCH-AUGUST 1988
The Gripe: WGA seeks improved residual payments
and more control over scripts after they leave writers' hands.
The Goods: Scribes get minimal residual increases and more
creative control over work.
The Big Picture: Longest-ever WGA
strike delays start of fall TV season till November for some
shows and costs industry roughly $500 million.


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