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Peter Gallagher as a sleazy, soulless shutterbug — tough to argue with that casting. As he snaps police photos of murder victims and moonlights as a motel-room blackmailer, he projects a deplorable apathy few other actors could accomplish. Sadly, the neo-noir Johnny Skidmarks spins its wheels over a plot — Gallagher must find out who's offing his partners in blackmail — paved with unconvincing red herrings. Then the film slides into a climax fit only for a Friday the 13th sequel. C-
Posted Nov 27, 1998
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