Three New Orleans punks (Matt
Dillon, Gary Sinise, and William Fichtner), on the run from a
screwed-up robbery attempt, bust into an atmospheric basement
bar late at night, scramble the lives of the five folks inside,
and wreak twisted psychological and physical damage on one
another as the cops and media close in, in a contrived and
violent indie drama from twist-loving Kevin Spacey, making his
directorial debut. It's easy to see why Albino Alligator appealed to
the star of Seven and The Usual Suspects all those loose-cannon
characters, liable to blow at any moment but Spacey the
director relies far too heavily (as neo-noirists do) on moody
compositions and close-ups to fill the space where motivation
and character building ought to be. The script, by first-timer
Christian Forte, is not much help, alternately stilted,
grandiose, and didactic (an ''al'bo 'gator,'' we're informed in a
long speech by the group's loosest cannon, is a ''weak and
useless'' member of the pack sacrificed by others for the group's
gain). Ultimately, the talented cast among them M. Emmet Walsh,
Faye Dunaway, Skeet Ulrich, and Viggo Mortensen play to their
easiest star turns rather than their most interesting strengths.
Originally posted Jan 31, 1997Published in issue #364 Jan 31, 1997Order article reprints
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