Credits
In his directing debut, Nick Cassavetes cooks up a star turn for his mother, Gena Rowlands: She plays Mildred, an independent-minded suburban widow -- a kind of Aurora Greenway lite -- with a square, married son and a furiously alienated grown daughter who screams a lot and moves out of the house. Mildred is unfazed, however; her worldview is widened by her relationship with a slatternly, sewer-mouthed neighbor (Marisa Tomei, who must fight, fight, fight against cutesiness, now and forever) and, particularly, with the younger woman's sweet, somber-faced little son (Jake Lloyd). Rowlands is swell in that sexy-no-nonsense-older-woman role she does so well (Gerard Depardieu appears pleasantly but improbably as a French Canadian truck driver smitten by Mildred's classy, sassy self). But this adoring character study of a woman under nobody's influence (cowritten by Cassavetes and Helen Caldwell) is too long on sentimentality, and far too long on Tomei's stylized tough chick routine.
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