Attention jazz-challenged boomers: Blue Note's ''Cover Series'' finds jazz acts remaking classic-rock albums in their entirety. It's clever as marketing but somewhat problematic as music. The low point is fusion saxist Harp's dentist-office-primed treatment of Gaye's spacey manifesto. Crosby, Stills, Nash & Young's Deja Vu becomes fleet-fingered coffee-bar instrumental fare via guitarist Haque. The most radical rethink, though, is avant-bop guitarist Hunter's take on Bob Marley's Natty Dread, which replaces the taut reggae of the Wailers with small-band hipster swing. Its bebop saxes and drums do the best job of fulfilling the concept of the series so much so that ironically, it may send mystified fortysomethings running back to Marley's original album. What's Going On: C-; Deja Vu: B; Natty Dread: B+


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