Imagine Sartre and Helmut Newton joining forces to make a lesbian-buddy serial-killer road film chockful of postmodern malaise. This bleak British import is singularly spectacular for carving a new niche in the cinematic pantheon of female loonies, largely thanks to Plummer's razor-edged performance as Eunice, a murderous, boot-stomping, psycho punk bitch. There's a fetishistic undertone to the movie's brutality, but then, guys who make (albeit arty) Sappho-slasher flicks make me wonder. Not a first-date rental. C+


Add your comment
The rules: Keep it clean, and stay on the subject or we might delete your comment. If you see inappropriate language, e-mail us. An asterisk * indicates a required field.