What do you miss most about the movies of the '70s?
Grier: The innocence and the newness. Everyone was forging new
ground and trying to figure out how people would react.
O'Neal: I had a sense of hope, a sense of the future. I saw no
reason why black films wouldn't go on, strengthen themselves,
and become better.
Brown: I enjoyed the freedom and being able to participate on
different levels because I played in many kinds of films.
Williamson: I really can't say that I miss anything, because my
career never stopped. I learned the business of the business,
and I was able to continue doing the things I wanted to do.
When blaxploitation faded, how did it affect your career?
Brown: My career [declined because of] dwindling box office
receipts, I would imagine, or being blackballed for being
controversial. I couldn't say exactly.
Grier: I just went on. I did Greased Lightning with Richard
Pryor, and I took a couple of years off to grow.
O'Neal: I didn't work. I would go two or three years without
working at all. It was a little crazy for me. I was divorced
during that period I think it probably helped break up my
marriage.
Williamson: It never faded for me. In my movies, even though
they were calling them ''black exploitation,'' I killed
everybody I beat up black people, white people, yellow people,
pink people. I was an equal-opportunity person.
With the recent rediscovery of blaxploitation in revival houses
and on video, has it become easier to find roles?
Brown: I don't go out looking for parts. I run an [inmate
rehabilitation] organization called the Amer-I-Can Program. I
did Original Gangstas because I thought it was great that in
1995 Fred could raise the money and do a film.
Grier: Well, I think that if I wasn't a good actor I'd have
problems. But I worked at being an actor of interest, so it
hasn't been difficult.
O'Neal: Some people, all they know is Super Fly. And others know
me from my New York stage beginnings. As for Original Gangstas,
it was sort of a historic event the only time we've been
together on the screen. It was really like old home week.
Williamson: I don't look for roles. I've produced and directed
most of my own movies [including Mean Johnny Barrows, Adios
Amigo, and Foxtrap]. The roles I want to play, they're not going
to let me play because I have three rules: I have to win the
fight, you can't kill me, and I want the girl at the end. Now,
if they're going to hire Wesley Snipes and Denzel Washington to
do that, I got to go make my own movie.
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