First, expansionistic aliens invaded Earth in Independence Day. Next month, cranky ETs return when Mars Attacks! Which just shows that in Hollywood good ideas often come in pairs. Unfortunately, so do bad ones (remember 1992's competing Columbus epics?). Here are other cinematic couplets from the recent and distant past.
GENTLEMAN'S AGREEMENT and CROSSFIRE
Shared idea: Anti-anti-Semitism.
What's the difference?
In Agreement, a journalist (Gregory Peck) exposes bigotry
through a series of magazine articles; in Crossfire, a detective
(Robert Young) exposes bigotry by catching a Jew-hating
murderer.
Which is better? Crossfire is still a gritty noir;
Agreement substitutes political piety for drama.
THE GREATEST STORY EVER TOLD and THE BIBLE
Shared idea: The good book as all-star
spectacle.
What's the difference? Greatest focuses on the New
Testament; Bible highlights the Book of Genesis.
Which is
better? Greatest is overlong but visually elegant; Bible is
hardly a page-turner.
TO SIR, WITH LOVE and UP THE DOWN STAIRCASE
Shared idea: Novice teacher in tough
city school.
What's the difference? To Sir stars Sidney Poitier
as a miracle worker in a Brit institution; Up's Sandy Dennis
battles more realistic chaos.
Which is better? Up is an
engrossing inner-city portrait as opposed to mod sentimentality.
AMERICAN FLYERS and QUICKSILVER
Shared idea: Better living through bicycling.
What's
the difference? In Flyers, a dying man and his brother (Kevin
Costner and David Grant) reconcile during a race; in
Quicksilver, an out-of-work stock trader (Kevin Bacon) finds
salvation as a messenger.
Which is better? Flyers — only because
pat tearjerkers are preferable to yuppie drivel.
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