In The God in Flight Laura Argiri tries to write a Victorian novel about a virtually unspeakable subject in Victorian times: gay love and sex. The result is a romantic melodrama, set at Yale in the 1880s. Call it campus camp. Its characters ride in horse-drawn buggies, fight migraine headaches with laudanum, and long quaintly for ''carnal gratification.'' Art professor Doriskos Klionarios looks and sculpts like a Greek god. His teenage student, Simion Satterwhite, has a faunlike beauty and a genius for math. Their true love triumphs over child abuse, anorexia, homophobia, censorship, and the violence of bigots. In fact, Argiri's 1880s sound more hopeful than our 1990s an irony that gives this lush, effusive work some satiric bite. B

