In 1984, Cyndi Lauper hit it big by hiccuping about female bonding and masturbation and cracking her gum over keyboard boings. But she soon retreated into indistinct flute-and-synth schlock. There are five spirited songs her on Twelve Deadly Cyns...and then some from She's So Unusual, but the rest sounds like a girl who's neither unusual nor having fun. B+


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