When Richie Cunningham told Potsie Webber to ''sit on it!'' he probably wasn't talking about the director's chair. Whodathunk that Anson Williams, Ron Howard's lovable-moron Happy Days sidekick, would also become an auteur? Here's a look at the cinematic oeuvre of the Artist Formerly Known as Potsie. *LITTLE WHITE LIES (1989, Rhino, unrated, $9.95) This made-for-TV romantic comedy, an early Williams directorial effort, stars Ann Jillian (It's a Living) and Tim Matheson (Animal House). Though Williams serves up sappy gags by the truckful, he is almost redeemed by a nod to Woody Allen when the two lovers share laughs over a Marx Brothers film. And give him loyalty points for casting Howard's pudgy brother Clint as a limo driver. C-
*A PERFECT LITTLE MURDER (1990, Turner, unrated, priced for rental) Suburban whodunit farce starring Teri Garr and Robert Urich as burbs newcomers who encounter a neighborhood of folks so normal they could be Fellini extras. The supporting cast-featuring Newhart's Tom Poston and L.A. Law's Susan Ruttan- makes this made-for-TV movie good enough, but the real oomph comes from Garr's paranoid, soap-watching housewife character. C+
*ALL-AMERICAN MURDER (1991, Prism, R, priced for rental) In Williams' slickest movie yet, he snags Christopher Walken to star as a tough-but-fair cop trying to solve a series of grisly murders. Charlie Schlatter (18 Again!) is a Fonz- like rebel suspect, and a pre-Melrose Place Josie Bissett plays a virginal psycho. B-
*DREAM DATE (1993, Triboro, PG-13, priced for rental) Rip-off of Tony Danza's She's Out of Control, in which an overprotective dad (Amen's Clifton Davis) flips when his daughter (The Cosby Show's Tempestt Bledsoe) goes on her first date. Also stars Pauly Shore as a heavy-metal stoner. C
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