Unlike the lush, mannered social landscapes of their more recent collaborations (A Room With a View, Howards End), this first film from the production team of Ismail Merchant and James Ivory plumbs the simple. In The Householder, Shashi Kapoor (Sammy and Rosie Get Laid), who plays a hapless college professor forced into an arranged marriage with a woman (Leela Naidu) he barely knows, confronts the daily frustrations of a man unfulfilled by his minor existence. Browbeaten by his rowdy students and a hilariously self-important colleague, he berates his silent bride and calls in his mother to domesticate her. The archetypal triangle of nebbishy husband, persecuted wife, and histrionic mother-in-law lacks originality, but The Householder's portrayal of the idealistic, ''developing'' India of the 1960s through the farcical politics of the college staff and the surreal naïvetés of an international group of nirvana-seekers fills that void with incisive political humor. Like this debut, Kapoor's enlightenment comes not in a sweeping epiphany but as a series of small, sweet understandings. B+
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