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The ''Bridey Murphy'' phenomenon swept America in 1956, sparked by amateur hypnotist Morey Bernstein's published account of an ''age-regression'' experiment in which Colorado housewife Virginia Tighe vividly recounted her previous existence as a 19th-century Irish maid. The story of Virginia/Bridey became front-page news and a best-seller, accompanied by goofy fads (e.g., ''come-as-you-were'' parties) and vigorous debunking from the mainstream press. By the time the documentary-style Search for Bridey Murphy debuted — with Louis Hayward as Bernstein and Teresa Wright as his subject, here called Ruth Simmons — Tighe's story was widely believed to be a fanciful embellishment of her own childhood, and the movie quickly vanished. Now on video for the first time, Hollywood's contribution to Bridey lore is more valuable as a pop-cult time capsule than as moviemaking. With its lumbering re-creations of hypnosis sessions and primitive flashbacks, the film itself is far less interesting than its still provocative subject matter.


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