They're expensive, exhaustive, and exhausting, but all those boxed sets taking up space in record stores are, in a sense, critic-proof. You probably know at least one person who would love to wake up Christmas morning and find dozens upon dozens of tracks by the Clash or Yes or Ray Charles under the tree, all of them preserved forever on gleaming CDs nestled in a lavish cardboard box with a photo-jammed booklet.
But when it comes to the boxed-set glut over two dozen have been released this year alone even major fans have to weigh some serious questions. Are the rarities contained in each box worth shelling out $50 or more? Are some artists better served by an earlier greatest-hits album that's more cost- effective and contains only the essential cuts? And (beyond financial gain for record companies) is there an artistic agenda behind each box?
With such questions in mind, we slogged through the season's notable pop, blues, and rock boxed sets, considering what might appeal to each artist's fans, what might irritate listeners new to each artist, the quality of packaging, and, in what we will affectionately call Boxed-Set Hell, moments of excess that make us question the wisdom of making boxed sets at all.
Aerosmith
Pandora's Box
Intention: You think Guns N' Roses were the first loud, sloppy,
excessive hell-raisers? Wait'll you hear these 1972- 82 recordings by
the Beantown bad boys!
Achievement: Although Axl Rose should be
forced to study Pandora's Box to see how rock-star indulgences can
screw up even the most successful bands, early '70s tracks like
''Dream On,'' ''Toys in the Attic,'' and ''Sweet Emotion'' still set
blooze-rock standards.
Fans, Behold: A 1966 recording by Aerosmith
singer Steven Tyler's first band, Chain Reaction; unreleased song
fragments and live tracks from radio broadcasts and 1978's Texxas
Jam.
Newcomers, Beware: Don't bother with disc 3 (the band's
post-1977 decline); better still, just stick with previous Aerosmith
compilations, Greatest Hits and Gems.
Boxed-Set Hell: Eight
unreleased jams that show Aerosmith could never really, uh, jam. Most
Unintentionally Amusing Comment in Booklet (tie): Guitarist Brad
Whitford on ''Round and Round'': ''I don't remember a whole lot about
this one.'' Drummer Joey Kramer on ''Krawhitham'': ''I'm a little
confused over exactly when we recorded this.'' B
Jeff Beck
Beckology
Intention: To make sense of the long and winding career of the
47-year-old guitar god, from his mid-'60s days with the Yardbirds
through his hit-or-miss post-'70s solo albums.
Achievement: Makes a
solid case for Beck as an unsurpassed technician but not necessarily
as a great record maker, particularly over the last decade.
Packaging
Minus: Booklet has 63 photos chronicling Beck's grimaces during
solos.
Fans, Behold: Recordings by Beck's first professional band,
the Tridents, plus rare B sides and live tracks with the Yardbirds
and Beck, Bogert, Appice.
Newcomers, Beware: Since this is the
first-ever Beck overview, it's Beckology or nothing.
Boxed-Set Hell:
Third disc features his contributions to the soundtracks of Twins and
Porky's Revenge. B-
Carpenters
From the Top
Intention:
To prove that the late Karen Carpenter shouldn't be remembered just
for her bad eating habits that she and her brother, Richard, were, in
fact, underrated talents.
Achievement: The Carpenters' music can
still seem painfully banal, but at its best it defined
middle-of-the-road pop in the '70s, with the sad, dark hues of
Karen's voice suggesting underlying currents of angst. The point is
diluted, though, by soda commercials, forgettable '80s recordings,
and other padding.
Fans, Behold: Early recordings by the Richard
Carpenter Trio featuring teenage Karen's nascent jazz drumming;
unreleased songs from Karen's canned solo album, including the
ominously titled "My Body Keeps Changing My Mind."
Newcomers, Beware:
Stick with the second half of disc 1 and all of disc 2. Or buy The
Singles 1969-1973, the Carpenters' greatest-hits package. Also:
Richard rerecorded some of his keyboard parts to improve their CD
sound quality.
Unintentional Morbid Touch: Tracing Karen's weight
loss through chronological photos in booklet.
Boxed-Set Hell: A
version of the insipid ''Sing'' partially sung in Spanish. B-
Ray Charles
The Birth of Soul/The Complete Atlantic Rhythm & Blues
Recordings 1952-1959
Intention:
To remind us that the old pitchman in the Pepsi commercials has given
more to civilization than ''You got the right one, baby, uh-huh.''
Achievement: Vital early music Charles' big-band mesh of blues,
soul, and gospel still jumps out of the speakers. But given the wide
scope of Charles' work (the tracks here include none of his later
experiments with pop and country), the cumulative effect is narrow
and a bit monotonous.
Packaging Minus: Erudite liner notes
occasionally describe Charles with silly highfalutin phrases like
''Promethean musical polymath.''
Newcomers, Beware: Only top 10 hit
here is "What'd I Say, Parts 1 & 2." For ''Hit the Road Jack,'' ''I
Can't Stop Loving You,'' and his other '60s hits, you'll have to turn
to earlier compilations on Rhino.
Boxed-Set Hell: With one or two
fewer tracks, this 151 minutes of music could have fit onto two CDs,
but that would have cut into the record company's profits, right? B
The Clash
Clash on Broadway
Intention: To ensure that we remember the Clash for their
tear-down-the-walls punk and not because they led to such
watered-down offshoots as Big Audio Dynamite.
Achievement: Box seems
a tad pretentious for a band that only released five albums and an
EP; the last third documents their increasingly bloated sense of
self-importance. But the Clash's most protean tracks still make
current alternative rock sound diluted and compromised.
Packaging
Plus: Clean, readable layout with terrific selection of period
photos.
Packaging Minus: Clean, readable layout seems somewhat at
odds with concept of punk.
Fans, Behold: Rare 1976 demos; B sides and
studio outtakes.
Newcomers, Beware: Opt for essential albums like
London Calling and The Clash or the serviceable anthology Story of
the Clash Volume 1. A-


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