Snubs aside, the wider range of Emmy hopefuls can be partly attributed to shifts at the Academy of Television Arts & Sciences. The average age of members has dropped in recent years, says chair/CEO Bryce Zabel, crediting the active recruitment of more working professionals to combat the image of voters as out-of-touch geezers. "The best way to conduct a revolution is from within," he says.

The strength of edge-hugging cable fare is also a factor. "Cable is eroding the network stranglehold, and it's only good for the industry," says Malcolm's Bryan Cranston, a supporting-actor contender. Adds Larry Wilmore, nominated writer for Bernie Mac: "We really have to compete to keep up with these [cable] shows because they have so much freedom. It forces us to be more creative."

Of course, there's no guarantee rookies will win on the Sept. 22 telecast. To some extent, actors' fates are in their own hands. Nominees in lead categories submit one episode to voters for consideration; supporting players submit two. "Will Bernie Mac go for the one-hour finale or the half-hour pilot?" asks O'Neil, noting that some actors hurt themselves by, for example, submitting more dramatic material in the comedy category. "All bets are off depending on how smart or stupid stars are about what they pick."

Others have more pressing issues on their minds--like the ex-sidekick of Emmy host Conan O'Brien. "I have to finagle my way into being a presenter," says Andy Richter, whose Fox sitcom got a writing nod, "so I can get that gift basket."

Originally posted Aug 02, 2002 Published in issue #665 Aug 02, 2002 Order article reprints
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