Birmingham,
England, in the 1970s is nothing like That '70s Show, at least
not for Benjamin Trotter and his three King William's school
pals. Sure, everyone wears flared pantaloons, and music
magazines print personals that read ''Hairy guy seeks chick.'' But in ,
Jonathan Coe, with the same precise wit that cut through The Winshaw
Legacy, uses adolescence to symbolize the deeper struggles IRA
bombings, factory strikes, class divisions of the decade. As in
previous novels, Coe's narrative, which is supplemented by diary
entries, letters, interview transcripts, and one 33-page-long
sentence, is constantly on the verge of falling to pieces. While
those shards are usually fitted back into a climactic
revelation, Rotters' is intentionally left unresolved. And it
will only be completed with the release of the sequel, set in
the 1990s.
Add your comment
The rules: Keep it clean, and stay on the subject or we might delete your comment. If you see inappropriate language, e-mail us. An asterisk * indicates a required field.