
Credits
Released in Great Britain while London was under attack, Michael Powell and Emeric Pressburger's quirky The Life and Death of Colonel Blimp, and epic about the longtime friendship between a British career soldier (Roger Livesey) and a sympathetically portrayed German officer (Anton Walbrook), didn't sit well with Mr. Churchill, who initially tried to suppress the film despite its obvious anti-Nazi slant. Controversy aside, ''Blimp'' splendidly marries a sprawling narrative to stunningly imaginative filmmaking. Take, for instance, the famous duel scene between Livesey and Walbrook: It builds, very slowly, to a tense face-off; suddenly the camera swoops away from the swordplay, dissolves through the roof to a sparkling, snowy night, and then glides down to a close-up of a carriage -- from which we see an ambulance presumably carrying the two men away. It's just one sublime example of Powell and Pressburger's expectation-defying artistry.
On the commentary (recorded in 1988 for the laser release), enthusiastic fan Martin Scorsese and an 83-year-old Powell alternately expound upon everything from Deborah Kerr's shining performance as three different women over the film's 40-year span to cinematographer Georges Perinal's gorgeous use of lighting and Technicolor. Other extras include a stills gallery of the David Low ''Colonel Blimp'' cartoons that inspired Livesey's character and a crisp making-of doc. Good show!





