Susanna Moore's novella has, in essence, become a dreadfully inert late-night cable movie -- it's Forbidden Sins inflated into a ''myth'' of victim feminism. Meg Ryan radiates neither desire nor terror.
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Susanna Moore's novella has, in essence, become a dreadfully inert late-night cable movie -- it's Forbidden Sins inflated into a ''myth'' of victim feminism. Meg Ryan radiates neither desire nor terror.