Ignore the agitprop song titles (''Civil Disobedience'') on the U.S. debut by Montreal producer Poirier and focus on what's important: ''Beats as Politics'' is a damn convincing blueprint for the next generation of trip-hop. Mixing the spaciousness of dub, the neck-snapping drums of hip-hop, and the experimental tweaks of techno, Poirier creates moody tracks that hover between the immediacy of consciousness and the murkiness of sleep.

